Brand Narrative
I was one of those who knew my future occupation from the age of 7. As a fine artist, I experimented with a variety of traditional techniques, favoring painting, pencil work, and chalk drawings throughout high school.
A chance job at a local printing company at age 18 introduced me to the field of graphic art through the Art Department I worked with in customer service.
Now that my fate was sealed, I found myself in New York a few years later, pursuing a degree in graphic art at the Fashion Institute of Technology. I developed a love for Robert Motherwell, Japanese Prints and minimal design.
A course in editorial/publication design solidified my specialty—one I was extremely passionate about—in print design for editorial and publication. After graduation, fortune provided me with wonderful experiences in the industry and solidified a foundation of a minimal design aesthetic.
Those fast-paced days are gone, and styles and tastes always evolve. However, what has emerged is what you see in my shop today. I have grown immensely as both a person and an artist, and for that, I am very grateful.
KINTSUGI
Modern
I employ a Modern Kintsugi Process in my shop to achieve a more dynamic and versatile look, as well as being able to price pieces lower for accessibility than I would if I used the traditional process. I use two different techniques, depending on the piece. Generally, with smaller or more modern pieces, I use a more 'flat' controlled technique for a precise look which looks like gold plating. With larger pieces, I tend to use a more traditional painterly 'drip' process.
Traditional
I do honor the Japanese tradition of Kintsugi by knowing and completing pieces in the traditional process with urushi bonding material. I typically do not use this process in my shop, as it is more time consuming, the look is different and the cost is higher.
I am honored when a Kintsugi piece is chosen as a gift. Not only does it impart beauty, but the meaning makes it even more special. Etsy allows me to provide beautiful and meaningful pieces of art that evoke feelings. I believe feelings carry great power—what you feel, you attract.
I also have the opportunity to evolve as an artist, and for that, I will always be grateful. From Kintsugi, I have developed a deep appreciation for the different styles, shapes, sizes, and techniques of pottery I curate for my pieces. This inspired the name of my business, Facette Gallery.
I enjoy the curation aspect very much, as my ultimate goals are opening my own brick-and-mortar gallery and my own line of Kintsugi and other home decor pieces.
Please check back often; the collection really is always evolving, as all pieces are one-of-a-kind. I also have connections with different pottery studios in L.A., so please look out for work by unknown artists (credits will be included in the listings) and shops on Etsy.
In peace,
Diana
Facette Gallery